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Dr Amy Jane Barnes

Staff Tutor And Senior Lecturer In Art History

Art History

amy.barnes@open.ac.uk

ORCID Profile

Biography

Professional biography

Amy is an academic, curator and researcher with wide-reaching interests from art and graphic design, to museums, their collections and the stories they tell.

She has an academic background in art history, museum and heritage studies, with a particular interest in how art and design from post-1949 China is collected, interpreted and displayed in British museums, most recently porcelain produced dueing the Cultural Revolution (1966-1976).

Amy has worked in museums as a curator and researcher, and has taught art history and museum and heritage studies at Loughborough University, the University of Warwick, the University of Leicester and De Montfort University. She has also worked as a heritage consultant, producing interpretation plans and undertaking audience development research for HLF-funded projects across the UK. Between 2010 and 2012, she was part of the exhibition development team for 'Suits and Saris', at New Walk Museum & Art Gallery, Leicester, which was part of the East Midland's 'Dress the World' strand of the 2012 Cultural Olympiad. 

In 2015, she undertook a cataloguing project of post-1949 Chinese posters in the British Library's collection, funded by the British Inter-University China Centre (BICC). This project has enhanced the visibility of the collection and has made the posters more accessible to a wider audience of researchers.  Since November 2019, Amy has been employed as a Staff Tutor in Art History at the Open University. 

Amy is the author of a monograph, Museum Representations of Maoist China (Ashgate/Routledge, 2014) and several edited volumes; the most recent of which is A Museum Studies Approach to Heritage (Routledge, 2018). She has been a reviewer for Routledge, Museum and Society, Museum History Journal, Pacific Affairs, Architecture and Culture, Nordisk Museologi, Europe-Asia Studies and Channel View Publications. 

Amy was also an academic consultant for the BBC and OU Co-production Art That Made Us (BBC Two - Art That Made Us), broadcast on BBC2, Spring 2022.

Research interests:

History of museums and collections
Interpretation and representation in museums 
Twentieth century Chinese art and visual culture
Propaganda art and design
Revolutionary ('Red') heritage in China
Visual and material culture of Chinese diasporic communities
 

Publications

Book

A Museum Studies Approach to Heritage (2018)

Museum Representations of Maoist China: From Cultural Revolution to Commie Kitsch (2014)

Narrating Objects, Collecting Stories (2012)

The Thing about Museums: Objects and Experience, Representation and Contestation (2011)

National Museums: New Studies from Around the World (2011)

A Collector's Vision: Ceramics for the Qianlong Emperor (2002)

Qingbai Ware: Chinese Porcelain of the Song and Yuan Dynasties (2002)

Book Chapter

Revolutionary Heroes in Chinese Propaganda Posters (2024)

Introduction (2018)

Introduction to Part I (2018)

Representing the China Dream: A case study in revolutionary cultural heritage (2018)

Un-placed heritage: Making identity through fashion (2018)

Introduction to Part III (2017)

Displaying Ghost Signs Online (2016)

Introduction to Part III (2012)

Displaying the Communist Other: Perspectives on the Exhibition and Interpretation of Communist Visual Culture (2011)

Afterword: a conversation with Sue Pearce (2011)

Exhibiting China in London (2011)

Digital Artefact

'Do the Chinese always smile?' Exhibiting the Cultural Revolution in Britain (2020)

‘Knock Down the Gang of Four!’: caricatures in the British Library’s collection of post-1949 Chinese posters (2019)

What makes a good museum? The Art Fund knows (2014)

Journal Article

Chinese Propaganda Posters at the British Library (2020)

Colonial histories, museum collections, FabLabs and community engagement: flows of practices, cultures and people – a roundtable (2020)

大英图书馆收藏的中国革命年画研究 [‘Research on Chinese Revolutionary New Year Paintings Collected by the British Library’] (2018)

Japanese Saris: Dress, Globalisation and Multiple Migrants (2015)

Forum: Museums and Mental Health. Introduction (2014)

A Trojan Horse? An icon of the anti-establishment at the Victoria & Albert Museum (2012)

China in Britain: The representation of twentieth century Chinese art and culture in contemporary British museums (2003)

Other

Producing a pop-up exhibition: Part 1 – establishing themes and designing the panels (2019)

Producing a Pop-Up Exhibition: Part 2 – selecting images and writing accessible text (2019)

The Cultural Protection Fund Pop-up Exhibition – the Excitement of Beginning the Task (2016)

Museological Review, 13 (2008)