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Picture  of Angeliki Lymberopoulou

Dr Angeliki Lymberopoulou

Senior Lecturer In Art History

Art History

angeliki.lymberopoulou@open.ac.uk

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Biography

Professional biography

BA, Diploma, MA, Art History (Courtauld Institute of Art), Ph.D, Byzantine Art (University of Birmingham)

Angeliki Lymberopoulou joined The Open University in April 2004 from the National Gallery in London, where she worked across the collections as a Dossiers Assistant. She has also taught Modern Greek language and culture at the Foreign & Commonwealth Office, and Byzantine art and architecture at the University of Birmingham. She was the Chair of the Publication Committee of the Society for the Promotion of Byzantine Studies (SPBS) between 2018 and 2024.

Research interests

Byzantine icons and iconography lie at the core of Angeliki's research interests. More specifically, her research focuses on all aspects of artistic production on Venetian Crete (1211-1669) within the social context of cross-cultural interaction between the Byzantine East and the (mainly Italian) West. While Byzantine art is associated predominantly with imperial and aristocratic commissions, Angeliki's research provides a 'voice' for the lower working classes, their representation in the Medieval and Renaissance markets, their religious concerns regarding the afterlife, and the engagement of their senses with the visuality of their commissions. 

Research Projects


Above: Angeliki and Miljana in the Serbian Orthodox Church Museum in Belgrade with an icon of the Virgin and Child with Saint Nicholas and young Saint John the Baptist, 15th century (tempera on wood with gold leaf; 30.3 x 22.2 x 0.4 cm)

Angeliki is currently working on a research project with Dr Miljana Matić, curator of icons in the Serbian Orthodox Church Museum in Belgrade, aiming at producing a complete catalogue of the museum's Greek icons. Some of the icons were brought to the Museum from the Fruška Gora Monasteries after World War II, others originated from the Chapel of Saint Sava in Constantinople and a number were donated to the Museum by private individuals, but in their majority, these icons remain unpublished. While Angeliki and Miljana continue working towards the production of the catalogue, they have accepted an invitation by the prestigious Serbian periodical Zograf to publish one of the icons in the Museum’s collection, a Madre della Consolazione. This particular icon is one of the best surviving examples of the post-Byzantine type of the Virgin and Child which features among Angeliki’s and Miljana’s main research interests; they are both honoured and delighted with this opportunity to showcase their research project and forthcoming catalogue. Angeliki and Miljana are grateful to the Musuem's Director, priest Dr Vladimir Radovanović, and to the Museum’s staff for their generous assistance, as well as to The Open University for its generous financial support and for facilitating Angeliki’s visits to Belgrade so she can work together with Miljana on the icons in situ.

Teaching interests

Angeliki was Director of Teaching (2012-2016) and Qualification Lead (2016-2020) for the department of Art History and currently serves as Employability Lead for the Scool of Arts and Humanities.

Teaching contributions in art history modules (both in production and presentation) include: The Art History Residential School (AXR272); Art and Visual Culture (A226); Art and Life before 1800 (A237); Renaissance Art Reconsidered (AA315); and The MA in Art History (A843 & A844).

She also taught the following modules in presentation: The Arts Past and Present (AA100); Art and its Histories (A216); Understanding Global Heritage (AD281); Art, Society and Religion in Siena, Florence and Padua 1280-1400 (A354); and Display and Devotion. Religious Painting in Italy 1300-1500 (A424).

Publications

Book

Hell in the Byzantine World: A History of Art and Religion in Venetian Crete and the Eastern Mediterranean Volume 2. A Catalogue of the Cretan Material (2020)

Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean. Volume 1 Essays (2020)

Cross-Cultural Interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? (2018)

Byzantine Art and Renaissance Europe (2013)

Art and Visual Culture: A Reader (2012)

Images of the Byzantine World: Visions, Messages and Meanings: Studies Presented to Leslie Brubaker (2011)

Viewing Renaissance Art (2007)

The church of the Archangel Michael at Kavalariana: art and society on fourteenth-century Venetian-dominated Crete (2006)

Book Chapter

Maniera Greca and Renaissance Europe: More than Meets the Eye (2023)

Introduction (2020)

Hell on Crete (2020)

Domenikos Theotokopoulos and Ancient Greek Art (2019)

Sight and the Byzantine Icon (2018)

Introduction (2018)

Regional Byzantine Monumental Art from Venetian Crete (2013)

Encountering icons: Byzantine art in the Netherlands, Bohemia and Spain during the 14th and 15th centuries (2013)

The Noli Me Tangere icon at the British Museum: vision, message and reality (2011)

Late and post-Byzantine art under Venetian rule: frescoes vesrus icons, and Crete in the middle (2010)

The painter Angelos and post-Byzantine Art (2007)

Audiences and markets for Cretan icons (2007)

Exhibition / Performance

Heavenly Beings: Icons of the Orthodox Christian World (2022)

Journal Article

[Book Review] Andrea Myers Achi ed., Africa and Byzantium, New York, The Metropolitan Museum of Art, 2023 (2024)

Post-Byzantine Cretan Icon Painting: Demand and Supply Revisited (2023)

The five senses in Hell (2020)

Sight and the Byzantine Icon (2018)

The Noli me Tangere: study and conservation of a Cretan icon (2011)

A Winged Saint John the Baptist icon in the British Museum (2003)

The Madre della Consolazione icon in the British Museum: Post-Byzantine Painting, Painters, and Society on Crete (2003)

Other

The arts and humanities: rejecting the zero-sum game (2023)

Presentation / Conference

Representations of Donors in Monumental Art of Venetian Crete (2020)

‘…κέ παντός του λαου τοῡ χορίου τ(ης) Μάζας…’ Communal Patronage of Church Decoration in Rural Venetian Crete (2020)

Palaiologan art from regional Crete: Artistic decline or social progress? (2019)

The Fogg Triptych: Testimony of a case study to the society and artistic production of Venetian Crete (2018)

'El Greco: A Cretan painter?' (2015)

Fourteenth-century provincial Cretan church decoration: the case of the painter Pagomenos and his clientele (2010)

'Fish on a Dish' and its Table Companions in fourteenth-century Wall-Paintings on Venetian-dominated Crete (2007)

'Pro anima mea', but do not touch my icons: provisions for personal icons in wills from Venetian-dominated Crete (2007)