
Prf Byron Dueck
Professor Of Music
Biography
Professional biography
Byron Dueck joined the Open University Music Department in January 2012. He was previously Lecturer in Music at the Royal Northern College of Music and before that held posts as University Fellow in Music at the Open University and Coordinator of Musicology at Columbia College Chicago. He studied ethnomusicology at the University of Chicago, where his doctoral research focused on public performances of First Nations and Métis music and dance in the western Canadian city of Winnipeg. His earlier musical studies, in piano performance, were undertaken at the University of Minnesota (MMus 1998) and Wilfrid Laurier University (BMus 1994).
Research interests
Dueck’s research interests include North American Indigenous music and dance and the music of central Cameroon. His most recent work focuses on xylophone music performed in and around Yaoundé, the Cameroonian capital. His work on North American Indigenous music and dance is the subject of Musical Intimacies and Indigenous Imaginaries: Aboriginal Music and Dance in Public Performance (Oxford University Press, 2013). He was a co-investigator on the AHRC-funded ‘Online Networks and the Production of Value in Electronic Music’ project and on the AHRC-funded ‘What is Black British Jazz?’. He was also a member of the ‘Experience and Meaning in Music Performance’ group, whose research is published in the edited collection Experience and Meaning in Music Performance (Oxford University Press, 2013). He supervises doctoral research in ethnomusicology.
Publications
Book
Book Chapter
Powwow and Indigenous Modernities: Traditional Music, Public Education, and Child Welfare (2019)
North American Indigenous Song, the Sacred and the Senses (2018)
Imagining identifications: how musicians align their practices with publics (2017)
Song, Participation, and Intimacy at Truth and Reconciliation Gatherings (2016)
Standard, advantage, and race in British discourse about jazz (2014)
Rhythm and role recruitment in Manitoban aboriginal music (2013)
Civil twilight: country music, alcohol, and the spaces of Manitoban aboriginal sociability (2013)
'No heartaches in Heaven': a response to aboriginal suicide (2012)
Journal Article
Teaching music theory in UK higher education today: contexts and commentaries (2024)
Authority, Deference, and Disregard in Catholic Liturgical Music in Central Cameroon (2022)
North American Indigenous song, the sacred and the senses (2018)
Networks of value in electronic music: SoundCloud, London, and the importance of place (2015)
Jazz endings, aesthetic discourse, and musical publics (2013)
Public and intimate sociability in first nations and Métis fiddling (2007)