
Professor Delia da Sousa Correa
Professor of Literature and Music
Biography
Professional biography
I joined the English Department in 1998 and served as Head of Department from 2020-2024. Born in the UK, I grew up in New Zealand and was educated at Nelson College for Girls and at the Nelson School of Music, followed by the University of Canterbury (NZ), Kings College London and New College, Oxford, where I completed my D.Phil in 1993. Before joining the Open University I taught at the Universities of Oxford, Worcester and St Petersburg.
Contact Details
Department of English, The Open University, Walton Hall, Milton Keynes, MK76AA, United Kingdom.
Tel. 0044-(0)1908-652092
Email: delia.dasousa@open.ac.uk
Research interests
My research focusses on connections between literature and music, with particular interests in the writing of George Eliot and Katherine Mansfield. My monograph on George Eliot, Music and Victorian Culture was published in 2003. I edited Phrase and Subject, a collection of essays on literature and music published in 2006. In 2009 I was the founding editor of the Katherine Mansfield Studies, an annual book series published by Edinburgh University Press. I am editor of The Edinburgh Companion to Literature and Music, published in 2020 and out in paperback in May 2025. This volume of over 70 original research essays by literary scholars and musicologists charts relations between literature and music over nine centuries from the Middle Ages to the present day. With Kirsty Gunn I am currently co-editing the Selected Letters of Katherine Mansfield for Oxford World's Classics.
I am co-founder of the Open University Literature and Music Research Group and have helped to organise several conferences in this field, including the biennial conference of the International Association for the Study of Word and Music (WMA) in London in August 2013 and, most recently, two public-lecture recitals on the topic of 'Words, Music and Silence' in partnership with the University of Bournemouth. I have supervised doctoral dissertations on a wide range of literary and interdisciplinary topics.
Publications
For details of my publications follow this link.
Teaching interests
My teaching interests are chiefly in Victorian literature and early modernism. I chaired the Open University’s MA English for 8 years from its intial production and served as chair of The Nineteenth-Century Novel and of English Literature from Shakespeare to Austen. I have written teaching chapters for The Nineteenth-Century Novel, Twentieth-Century Literature: Texts and Debates, Words and Music, the MA English, Reading and Studying Literature, Literature in Transition: 1800 to the Present, Cultures, MA English Literature, and Literature Matters.
Impact and engagement
I have given talks at the Oxford Literary Festival, with the writer Kirsty Gunn, and at the South Bank Centre’s The Rest is Noise festival where I convened a discussion of Woolf, Mansfield and music with Kirsty Gunn and Gabriel Josipovici. I am a founder member of the Katherine Mansfield Society which holds an annual birthday lecture and other public events in addition to academic conferences. I participated in a Gresham College symposium on ‘Debussy: Texts and Ideas’ and was academic consultant for the BBC4 television series In their own words on the history of the twentieth-century novel. I also contributed to a BBC Radio 3 programme on ‘Claiming Schubert’.
External collaborations
I serve on the Advisory Board of the International Association for Word and Music Studies and on the executive of University English (formerly CCUE), the body that represents the interests of English in Higher Education.
Projects
Word and Music Studies: Seventh International Conference, Vienna, June 10th-13th 2009. (A-08-083-DD)
The primary theme of this WMA Conference is 'Performativity in Words and Music'. My paper on 'Musical Performance and the Fiction of Katherine Mansfield' will investigate ways in which Mansfield took up her nineteenth-century literary and musical heritage in her early fiction, highlighting in particular the significance of Wagner for Mansfield’s Modernist aesthetic. It draws on Mansfield’s notebooks and letters to explore the musical dramatisations of her early writing and considers how her engagement with music and musical performance informed her mature work, where music has become transposed from subject to structure and style. The International Association for Word and Music Studies (WMA) is the major international organisation in my academic field. I attended their previous conference in Edinburgh in August 2007 and am keen to continue to build relationships between the WMA and our own newly formed Literature and Music research group, of which I am co-director (www.open.ac.uk/arts/literature-and-music). The conference organisers have confirmed that the proposal that I submitted for this conference has been accepted and WMA conference proceedings are published by Rodopi. Attendance at the conference will fit with the OU English Department's research strategy, which has defined a number of new research areas, including Literature and Music, as strategic priorities. The conference will also be attended by at least one OU gradute student (Katia Chornik) and potentially by academic colleagues from the Music Department. The OU has a longstanding association with the WMA through the involvement of OU staff in its conferences and because publications by OU staff, such as Phrase and Subject: Studies in Literature and Music, which I edited, have drawn attention to interdisciplinary scholarship at the OU.
Publications
Book
The Edinburgh Companion to Literature and Music (2020)
Katherine Mansfield and the (Post)Colonial (2013)
The Handbook to Literary Research (2010)
Phrase and subject: studies in literature and music (2006)
Book Chapter
Fragmented Music, Fragmented Minds: Janet Frame's Faces in the Water (1961) (2021)
Introduction: Part IV: Literature and Music in the Nineteenth Century (2020)
George Eliot, Schubert and the Cosmopolitan Music of Daniel Deronda (2020)
Voice and vocation in the novels of George Eliot (2014)
Katherine Mansfield and Ninteenth-Century Musicality (2013)
Musical performativity in the fiction of Katherine Mansfield (2012)
Katherine Mansfield and music: nineteenth-century echoes (2011)
'Wuthering Heights abroad' (2011)
'Wuthering Heights at home' (2011)
Checklist of libraries, print, online and other research resources (2010)
Planning, writing and presenting a dissertation or thesis (2010)
Literary research and other media (2010)
Tools and techniques for literary research: Using online and printed sources (2009)
The place of theory in literary disciplines (2009)
Institutional histories of literary disciplines (2009)
CASE STUDY 3: Literature and Film - Reading Film: An Angel at My Table (2009)
Victorian Soundscapes and the potential for interdisciplinary exchange (2007)
Narratives of masculinity and femininity: two Schumann song cycles (2006)
The stories of Katherine Mansfield (2005)
The Portrait of a Lady: Henry James as critic (2001)
The Portrait of a Lady: identity and gender (2001)
The Portrait of a Lady and the “house of fiction” (2001)
Jane Eyre: inside and out (2000)
Goddesses of Instruction and Desire: Ruskin and Music (1999)
Journal Article
George Eliot and the 'Expressiveness of Opera' (2012)
Performativity in words: musical performance in Katherine Mansfield's stories (2011)
Literature and music: Interdisciplinary research and teaching at the Open University (2009)
Other
Katherine Mansfield Studies 6: Katherine Mansfield and the First World War (2014)
Katherine Mansfield Studies 4: Katherine Mansfield and the Fantastic (2012)
Katherine Mansfield Studies 3: Katherine Mansfield and the Arts (2011)