
Dr Francesca Benatti
Senior Research Fellow In Digital Humanities
Biography
Professional biography
I joined The Open University in 2012 as a member of the Arts Faculty and I am now part of the School of Arts and Humanities and the English and Creative Writing Department. I hold a Laurea in Lettere Moderne from the University of Bologna, as well as an MA in Literature and Publishing and a PhD in English from the University of Galway.
My main role in the Faculty is to promote research in the Digital Humanities as the co-lead of DH_OU, the Digital Humanities Research Group (web). I am a member of the READ-IT project, the Reading Experience Database, the History of Books and Reading Research Group, the Film and Media Research Group, the Gender and Otherness in the Humanities (GOTH) Research Centre, the European Romanticism in Association and RÊVE project and the Open Arts Archive.
Research interests

My research interests range from book history to comics to hypertext to nineteenth-century Irish literature and periodicals. The Digital Humanities represent the common thread in my research. I use digital approaches to study the Humanities and investigate digital cultures, texts and hypertexts through Humanities perspectives.
My Cambridge Element Innovations in Digital Comics (available Open Access) investigates webcomics as an innovative convergence between digital platforms and participatory cultures. As the Program Chair of the ACM Hypertext 2023 conference, I brought together computer scientists, book historians and electronic literature creators to discuss how hypertext is shaping media and communication cultures. Within the READ-IT project, I have worked with colleagues from several European countries to develop digital tools for the study of reading in Europe.
Teaching interests
I am the author of a unit on Electronic Literature for the A335 Literature in Transition module and of a unit on the illustrated novel Stardust for the Level 2 module A233 Telling Stories: The Novel and Beyond. For the MA in English Literature, I have authored two units on Elizabeth Gaskell's North and South and William Gibson's Pattern Recognition. I am also the co-author of a unit on digital resources, archives and manuscripts and of a unit on researching manuscript, print and digital texts.
Impact and engagement
In 2023 I featured in the BBC Radio 4 programme Opening Lines on Alessandro Mazoni's The Betrothed.
In 2019-2020 I led the development of the free OpenLearn course Digital Humanities: Humanities Research in the Digital Age, which was funded by the OOC Doctoral Training Partnership and for which I wrote two sessions.
In 2014-2019, I led the Arts and Humanities in the Digital Age (AHDA) training programme for the CHASE doctoral training partnership, which provided Digital Humanities training to over 100 students.
In 2017-18 I was the Social Media Champion for the School of Arts and Cultures, working to promote the research and teaching activities of the School through social media.
External collaborations
I was a Consultant Editor, responsible for web publication, for the Open Arts Journal, an Open University open-access, peer-reviewed journal, during the period 2012-2015.
International links
Before joining The Open University, I worked in University College Dublin and at the University of Galway. While in UCD, I taught courses on digital humanities and collaborated with the Irish Virtual Research Library and Archive (IVRLA) on integrating digital resources and teaching.
At the University of Galway, I worked with the Thomas Moore Archive, a project of the Moore Institute, NUI Galway, of which I am joint editor with Prof Sean Ryder and Dr Justin Tonra. For the TMA I developed a digital edition of a selection of Thomas Moore’s prose writings, and designed the web interface of the project.
Projects
Immersive Online Reading for Mental Wellbeing
The project builds on the reading group interventions for mental health and well-being developed by Verbal. Verbal’s reading programmes have proven successful in improving mental health, but their outreach is limited by the resources needed to deliver a six-week programme of in-person reading groups. While effective, the in-person and group settings cannot reach the scale needed to address the ongoing crisis in mental health. The project will develop a remote version of the group bibliotherapy intervention and produce a proof of concept (PoC) that remediates Verbal's existing, successful bibliotherapy group programme. This project will instead tackle the challenge of providing a comparably effective intervention while retaining the benefits of group reading and discussions but through remote individual sessions that can reach population-level impact. The proposed approach builds on the positive results of a previous pilot — and a collaboration between the OU and Verbal — with interactive videos to train teachers on bibliotherapy. The project will design an interactive intelligent service that delivers reading online sessions and structured discussions with the following objectives: (O1) Including people unable or unwilling to participate in person due to work or caring responsibilities or in connection to social anxiety, poor mobility or other material and health conditions. (O2) Developing a scalable online service for mental wellbeing available for both individuals and organisations that wish to support their communities. (O3) Developing an off-the-shelf programme for healthcare organisations. The PoC will be developed through a co-design process led by the OU and with the creative contribution of Belfast Met. The co-design will be structured around a set of design choices and hypotheses about how to recreate the necessary conditions for the intervention to be effective. Those design choices and hypotheses range from how to prompt the level of immersion through, e.g., pre-recorded reading or the introduction of ambient noise, typical of social reading. Similarly, the project will find and test solutions for eliciting reflection and suitable forms of elaboration and engagements as technically viable, privacy-preserving, effective alternatives to the group discussion of in-person sessions. The co-design process will provide the conditions for knowledge transfer between partners, teaching and learning by addressing the complex interconnection between the technical, design and methodological aspects of the remote intervention and digital delivery platform. The results will be: (a) the PoC of the technology (b) the related protocol of the intervention (c) the business model. The mock-up will be used to commission the development of a new dedicated Verbal portal and service to be further tested and validated and, ultimately, brought to market. The protocol and business model will support a business development initiative to sell subscriptions to individuals and the solution to healthcare providers and organisations within the UK and abroad. Finally, Verbal will acquire the competencies to embed the use of digital technologies in the design of their intervention; Belfast Met academic will acquire experience with real-life digital innovation; OU researchers will learn how to remediate through digital media the key experiential factors involved in mental health interventions.
A question of style: individual voices and corporate identity in the Edinburgh Review and Quarterly Review
In A Question of Style, we want to assess the assumption that early nineteenth-century periodicals succeeded in creating, through a “transauthorial discourse”, a unified corporate voice that hid individual authors behind an impersonal public text (Klancher 1987). The project focuses on the Edinburgh Review during the period 1814-1820 and employs methods from periodical studies, book history, computational linguistics and computational stylistics. We will utilise Natural Language Processing software and resultant statistics to create stylistic profiles of the Edinburgh Review and its main authors, and our literary and historical interpretation to generate critical knowledge out of our measurements. We will then qualitatively describe the results of this stylistic analysis and evaluate them within the context of both literary scholarship on nineteenth-century periodicals and computational linguistics scholarship. Project outputs will include REF-able journal article(s), digitised articles dataset, project seminars and blog.
Publications
Book
Innovations in Digital Comics: A Popular Revolution (2024)
HT '23: Proceedings of the 34th ACM Conference on Hypertext and Social Media (2023)
Book Chapter
Young Ireland and the Superannuated Bard: Rewriting Thomas Moore in The Nation (2019)
Joining the press-gang: Thomas Moore and the Edinburgh Review (2013)
William Curry Jnr., d.1870 (2009)
William Carleton, 1794-1869 (2009)
The Ulsterman (1852-1858); later the Irishman (1858-1885) (2009)
The Shamrock, 1866-1919? (2009)
Land and landscape in the Dublin Penny Journal, 1832-1833 (2008)
Digital Artefact
Journal Article
On the margins and at the centre (2024)
Reading in Europe—Challenges and lessons learned from the case studies of the READ-IT project (2023)
Understanding the phenomenology of reading through modelling (2021)
Smart Cities and M3: Rapid Research, Meaningful Metrics and Co-Design (2018)
Readers and Reading in the First World War (2015)
Irish patriots and Scottish adventurers: the Irish Penny Journal, 1840-1841 (2009)
Presentation / Conference
Conversational Media for Inclusive Access to Mental Health Interventions for Schoolchildren (2024)
Webcomics 2024: Creativity in Small Spaces [Web/Comics] (2024)
Hypertext as Method: Reflections on Hypertext as Design Logic (2023)
Web/Comics 2023: Webcomics and/as Hypertext (2023)
Missed Connections: Hypertext and Book History (2022)
Cultural Challenges of DH Reflecting on DH Waves (2022)
Reading Transmedia: Re-contextualising the Written Word in Popular Web-native Genres (2022)
Death and Transmediations: Manuscripts in the Age of Hypertext (2021)
Restoration and Repurposing of DH legacy projects: the UK-RED case (2020)
On Links To Be: Exercises in Style #2 (2020)
Circuits, Cycles, Configurations: an Interaction Model of Web Comics (2020)
*ing the Written Word: Digital Humanities Methods for Book History (2020)
Reading in Europe - Challenge and Case Studies of READ-IT Project (2019)
A (Data) Tale Of Two Faculties (2018)
Algorithmic criticism, Distant Reading and the Edinburgh Review (2017)