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Professor M.A Katritzky

Professor Of Theatre Studies

English & Creative Writing

m.a.katritzky@open.ac.uk

Biography

Professional biography

At The Open University, which I joined in 2001, I am Professor of Theatre Studies in the Department of English and Creative Writing and Founding Director of GOTH (The OU Centre for Research into Gender and Otherness in the Humanities). A graduate of UCL, I gained my DPhil in 1995 from St Catherine’s College, University of Oxford, where I also served as Research Associate and Graduate Advisor from 2001 to 2005. During the 1990s, I held Alexander von Humboldt, Herzog August Library and Netherlands Institute for Advanced Study Fellowships and was Senior Research Fellow at Wimbledon School of Art for four years. 

Research interests

My research focuses on early modern English, comparative and transnational literature, drama and performance culture. I serve on the University Research Committee, FASS Academic Committee Research and ECW Research Steering Group, direct GOTH (Gender and Otherness in the Humanities) and contribute to further FASS Research Groups, including HOBAR (Book History) and MEM (Medieval and Early Modern). Research outputs funded by the Herzog August Library, AHRC, Wellcome Trust and British Academy include my monographs: Healing, performance and ceremony in the writings of three early modern physicians (2012); Women, Medicine and Theatre, 1500-1750  (2007) and The art of commedia  (2006). I am editor (with Pavel Drábek) of the third collection of essays by the Theater Without Borders international group for research on transnational early modern drama (Transnational Connections in Early Modern Theatre. 2020) and series editor (with the late Jim Davis) of the Ashgate Performance Practice Reprint Series (2014).

My REF2029 publications include:

BOOK ILLUSTRATION:

  • 2023: “Don Quixote in 18th Century British Book Culture: Tobias Smollett and Francis Hayman” (Tobias Smollett After 300 Years)
  • 2021: “William Hogarth and Book Illustration: Visualizing “Otherness”, in pre-Victorian images of Shakespeare’s Caliban”, (Shakespearean Characters Transposed)
  • 2021: “William Hogarth (1697–1764) and book illustration I: Hudibras, Quixote and the Littlecote House murals” (Theatralia)

NON-NORMATIVELY BODIED PERFORMERS:

  • 2024: ‘Shackshoone: the disabled non-European performative body in 17th-century London' (Der Körper in der Frühen Neuzeit)
  • 2021: “Generisches und spezifisches Anderssein: Shackshoone (1665–1680), Antonio Martinelli (1718–1740) und frühneuzeitliche Darstellungen von menschlichen Doppelfehlbildungen” (Körper-Bilder in der Frühen Neuzeit)

ENGLISH PLAYERS IN SHAKESPEAREAN EUROPE:

  • 2023: The 'English Comedy' in Early Modern Europe: Migration, Emigration, Integration (Palgrave Handbook of Theatre & Migration)
  • 2023: ‘Aktorzy angielscy w Rzeczypospolitej w 1. połowie XVII w’ (co-authored with Pavel Drábek) (Triumfalna Harmonia)

MEDIEVAL PERFORMANCE; COURT FESTIVAL:

I peer review for publishers, journals and research funding bodies in the UK, Europe, US and Canada, and serve on the editorial board of the book series L’immaginario teatrale, the Executive Committee of the Alexander von Humboldt Association UK, the Steering Committee of Theater Without Borders and the Committee of TOIA (The Oxford Italian Association). I have presented 200+ keynotes, invited lectures and conference talks and held Visiting Professorships at the University of Trier and Johannes-Gutenberg-Universität Mainz.

 

Commedia dell'arte, cover
 

 

Teaching interests

My teaching and supervisory interests focus on early modern English and comparative literature, drama and performance culture.

OU courses to which I have contributed include A815, A334, A233 and AA305. I co-authored the teaching text book Picturing Performance: The Iconography of the Performing Arts in Concept and Practice (1999), contributed a chapter to The Handbook to Literary Research (Delia Da Sousa Correa and W R Owens, eds, 2010). GOTH plans all its events to be inclusive of postgraduates and hosts a monthly online meeting run by and for our doctoral students. I welcome enquiries on postgraduate study in my specialist research areas (m.a.katritzky@open.ac.uk).

Publications

Book

Transnational Connections in Early Modern Theatre (2019)

European Theatre Performance Practice, 1580–1750 (2014)

Critical Essays on European Theatre Performance Practice: 4-Volume Set (2014)

Healing, performance and ceremony in the writings of three early modern physicians: Hippolytus Guarinonius and the brothers Felix and Thomas Platter (2012)

Women, medicine and theatre 1500-1750: literary mountebanks and performing quacks (2007)

The art of commedia: a study in the commedia dell'arte 1560-1620 with special reference to the visual records (2006)

Picturing Performance: The Iconography of the Performing Arts in Concept and Practice (1999)

Book Chapter

Shackshoone: the disabled non-European performative body in 17th-century London (2023)

‘Aktorzy angielscy w Rzeczypospolitej w 1. połowie XVII w.’ (2023)

“The English Comedy in Early Modern Europe: Migration, Emigration, Integration” (2023)

Don Quixote in 18th Century British Book Culture: Tobias Smollett and Francis Hayman (2023)

Generisches und spezifisches Anderssein: Shackshoone (1665–1680), Antonio Martinelli (1718–1740) und frühneuzeitliche Darstellungen von menschlichen Doppelfehlbildungen (2021)

William Hogarth and Book Illustration: Visualizing “Otherness” in pre-Victorian images of Shakespeare’s Caliban (2021)

Margaret Cavendish’s Female Fairground Performers (2020)

The itinerant healer as a stage role: its origins in religious drama (2020)

Shakespeare’s picture of ‘We Three’ An image for illiterates? (2020)

London and The Hague, 1638: Performing quacks at court (2020)

Introduction (2020)

Stefanelo Botarga and Pickelhering: Fishy Italian and English Stage Clowns in Spain and Germany (2018)

German-Speaking Countries (2018)

Les représentations du charlatan pendant la première modernité et leur origine dans la scène du marchand du théâtre religieux (2018)

Virtuous needleworkers, vicious apes: the embroideries of Mary Queen of Scots and Bess of Hardwick (2017)

Die Ikonografie der Commedia dell'arte bis 1750 (2016)

German Patrons of Venetian Carnival Art: Archduke Ferdinand II of Tyrol’s Ambras Collections and the 1579 Travel Journal of Prince Ferdinand of Bavaria (2016)

Shakespearean players in early modern Europe (2016)

Lucas van Leyden's 'Toothdrawer', 1523: Passion play merchant scenes and the religious origins of quack depictions (2015)

Images of the commedia dell'arte (2014)

Literary anthropologies and Pedro González, the “Wild Man” of Tenerife (2014)

Historical and literary contexts for the Skimmington: impotence and Samuel Butler’s "Hudibras" (2014)

Shakespeare’s “portrait of a blinking idiot”: transnational reflections (2014)

Travelers’ tales: magic and superstition on early modern European and London stages (2013)

“‘The picture of “We three”’: a transnational visual and verbal formula before, during and after the lifetime of Shakespeare (2012)

Images of “monsters” and performers: J A Comenius's Orbis pictus and Aristotle's Masterpiece (2011)

Checklist of libraries, print, online and other research resources (2010)

I costumi della commedia dell–arte Italiana negli alba amicorum tedeschi (2010)

Quacksalber in den Schriften Christian Weises und Johann Kuhnaus: Der Politische Quacksalber (1693) und Der Musicalische Qvack=salber (1700) (2009)

English troupes in early modern Germany: the women (2008)

Reading the actress in commedia imagery (2008)

Guarinonius' lazzi: English comedians, Italian charlatans, and German quacks in a medical treatise of 1610 (2008)

'Some tymes J have a shillinge aday, and some tymes nothinge, so that J leve in great poverty': British actors in the paintings of Frans Hals (2007)

Text and performance: medieval religious stage quacks and the commedia dell'arte (2007)

Reading the actress in commedia imagery (2005)

What did Vigil Raber's stage really look like? Questions of authenticity and integrity in medieval theatre iconography (2004)

The autobiographical writings of Felix and Thomas II Platter: court festivals and commedia dell'arte (2004)

The mountebank: a case study in early modern theater iconography (2003)

Theatre iconography in costume series: the "New York" friendship album (2002)

Franco Bertelli's "Carnevale Italiano Mascherato" of 1642 and other printed influences on theatrical pictures in alba amicorum (2001)

Aby Warburg and the Florentine intermedi of 1589: extending the boundaries of art history (2001)

Carnival and comedy in Georg Straub of St Gallen's printed album amicorum of 1600 (2000)

Mountebanks, mummers and masqueraders in Thomas Platter's diary (1595-1600) (1999)

Selected iconographic research resources (1999)

Performing-arts iconography: tradition, techniques, and trends (1999)

Harlekin demaskerad - en upptackt av Agne Beijer [Harlequin revealed: a discovery by Agne Beijer] (1998)

Orlando di Lasso and the commedia dell'arte (1996)

Scenery, setting and stages in late renaissance commedia dell'arte performances: some pictorial evidence (1996)

The diaries of Prince Ferdinand of Bavaria: commedia dell'arte at the wedding festivals of Florence (1565) and Munich (1568) (1992)

The Recueil Fossard 1928-88: a review and three reconstructions (1989)

Journal Article

The Merchant Scene of Biblical Drama: Rehabilitating the Female Input (2024)

William Hogarth (1697–1764) and book illustration I: Hudibras, Quixote and the Littlecote House murals (2021)

Unreliable Memories: documenting the Scenography of the 1589 Florentine intermedi (2021)

Stefanelo Botarga and Zan Ganassa: Textual and visual records of a musical commedia dell’arte duo, in and beyond early modern Iberia (2019)

Commedia dell’arte related glass: early modern Venice (2018)

The Bal des Ardents (1393), Thomas of Woodstock (1397) and Richard II (1400): Three Medieval Conspiracy Rumours and the Scots’ Mine Play (1608). (2017)

Maik Goth, Monsters and the Poetic Imagination in The Faerie Queene, and Tara Pedersen, Mermaids and the Production of Knowledge in Early Modern England (2016)

The theatrical impact of St Francis Xavier's canonization: Pietro Della Valle's account of the 1624 Jesuit festivities in Goa (2016)

A wonderfull monster borne in Germany’: hairy girls in medieval and early modern German book, court and performance culture (2014)

Zan Bragetta a Jean Potage: Divadelní kočovníci v raně novověké Evropě (2010)

Book review: From Physick to Pharmacology: Five Hundred Years of British Drug Retailing (2009)

Issues in Review: New Developments in Commedia Research: The Commedia dell'Arte: New Perspectives and New Documents (2008)

Secrets of women: Gender, generation and the origins of human dissection (2008)

Improvisation in the arts of the middle ages and renaissance (2006)

Pickelhering and Hamlet in Dutch art: The English comedians of Robert Browne, John Green, and Robert Reynolds (2005)

The commedia dell'arte: a theatre-iconographical perspective (2005)

Book reviews: Performance and Literature in the commedia dell'arte (Robert Henke); Music and Women of the commedia dell'arte in the Late Sixteenth Century (Anne MacNeil); Das Spiel mit Gattungen bei Isabella Canali Andreini: Band 1, zum Verhältnis von Improvisation und Schriftkultur in der Commedia dell'arte, Band II, Lettere (1607) (Britta Brandt); La Mirtilla: a pastoral (Isabella Andreini); Improvisation in the Arts of the Middle Ages and Renaissance (Timothy J. McGee); Theater am Hof und für das Volk. Beiträge zur vergleichenden Theater und Kulturgeschichte. Festschrift für Otto G Schindler zum 60. Geburtstag (Brigitte Marschall) (2004)

What did medieval stages look like? (2003)

'Unser sind drey': the quacks of Beer, Printz and Weise (2002)

Gendering tooth-drawers on the stage (2001)

Marketing medicine: the image of the early modern mountebank (2001)

Comic stage routines in Guarinonius's medical treatise of 1610 (2000)

Hippolytus Guarinonius's descriptions of commedia dell'arte lazzi in Padua, 1594-97 (1999)

Aby Warburg's 'Costumi teatrali' (1895) and the art historical foundations of theatre iconography (1999)

Was Commedia dell'arte performed by mountebanks? Album amicorum illustrations and Thomas Platter's description of 1598 (1998)

The Commedia dell'arte: An introduction (1998)

Harlequin in renaissance pictures (1997)

A German description of the Florentine intermedi of 1565 (1997)

The Florentine entrata of Joanna of Austria and other entrate described in a German diary (1996)

Eight portraits of Gelosi actors in 1589? (1996)

How did the Commedia dell'arte cross the Alps to Bavaria? (1991)

[Book Review] Commedia dell'arte: a guide to the primary and secondary literature by Thomas F Heck. Garland. 1988. (1989)

Commedia dell'arte och kvinnornas debut pa teaterscenen (1988)

A renaissance commedia dell'arte performance: towards a definitive sequence of Sieur Fossard's woodcuts? (1988)

Lodewyk Toeput: Some pictures related to the commedia dell'arte (1987)

Italian comedians in renaissance prints (1987)

Other

Special section of [the journal] Early Theatre. Issues in Review Essays: New Developments in Commedia Research (2008)

Special Issue of Theatre Research International: The Commedia dell'Arte (1998)

A court festival set in the garden of an Italian villa (1998)

Presentation / Conference

“A plague o’ these pickle herring”: from London drinkers to European stage clown (2014)