
Professor M.A Katritzky
Professor Of Theatre Studies
Biography
Professional biography
At The Open University, which I joined in 2001, I am Professor of Theatre Studies in the Department of English and Creative Writing and Founding Director of GOTH (The OU Centre for Research into Gender and Otherness in the Humanities). A graduate of UCL, I gained my DPhil in 1995 from St Catherine’s College, University of Oxford, where I also served as Research Associate and Graduate Advisor from 2001 to 2005. During the 1990s, I held Alexander von Humboldt, Herzog August Library and Netherlands Institute for Advanced Study Fellowships and was Senior Research Fellow at Wimbledon School of Art for four years.
Research interests
My research focuses on early modern English, comparative and transnational literature, drama and performance culture. I serve on the University Research Committee, FASS Academic Committee Research and ECW Research Steering Group, direct GOTH (Gender and Otherness in the Humanities) and contribute to further FASS Research Groups, including HOBAR (Book History) and MEM (Medieval and Early Modern). Research outputs funded by the Herzog August Library, AHRC, Wellcome Trust and British Academy include my monographs: Healing, performance and ceremony in the writings of three early modern physicians (2012); Women, Medicine and Theatre, 1500-1750 (2007) and The art of commedia (2006). I am editor (with Pavel Drábek) of the third collection of essays by the Theater Without Borders international group for research on transnational early modern drama (Transnational Connections in Early Modern Theatre. 2020) and series editor (with the late Jim Davis) of the Ashgate Performance Practice Reprint Series (2014).
My REF2029 publications include:
BOOK ILLUSTRATION:
- 2023: “Don Quixote in 18th Century British Book Culture: Tobias Smollett and Francis Hayman” (Tobias Smollett After 300 Years)
- 2021: “William Hogarth and Book Illustration: Visualizing “Otherness”, in pre-Victorian images of Shakespeare’s Caliban”, (Shakespearean Characters Transposed)
- 2021: “William Hogarth (1697–1764) and book illustration I: Hudibras, Quixote and the Littlecote House murals” (Theatralia)
NON-NORMATIVELY BODIED PERFORMERS:
- 2024: ‘Shackshoone: the disabled non-European performative body in 17th-century London' (Der Körper in der Frühen Neuzeit)
- 2021: “Generisches und spezifisches Anderssein: Shackshoone (1665–1680), Antonio Martinelli (1718–1740) und frühneuzeitliche Darstellungen von menschlichen Doppelfehlbildungen” (Körper-Bilder in der Frühen Neuzeit)
ENGLISH PLAYERS IN SHAKESPEAREAN EUROPE:
- 2023: The 'English Comedy' in Early Modern Europe: Migration, Emigration, Integration (Palgrave Handbook of Theatre & Migration)
- 2023: ‘Aktorzy angielscy w Rzeczypospolitej w 1. połowie XVII w’ (co-authored with Pavel Drábek) (Triumfalna Harmonia)
MEDIEVAL PERFORMANCE; COURT FESTIVAL:
- 2024: "The Merchant Scene of Biblical Drama: Rehabilitating the Female Input" (Journal of the Bible and its Reception)
- 2021: “Unreliable Memories: Documenting the Scenography of the 1589 Florentine intermedi” (European Medieval Drama)
I peer review for publishers, journals and research funding bodies in the UK, Europe, US and Canada, and serve on the editorial board of the book series L’immaginario teatrale, the Executive Committee of the Alexander von Humboldt Association UK, the Steering Committee of Theater Without Borders and the Committee of TOIA (The Oxford Italian Association). I have presented 200+ keynotes, invited lectures and conference talks and held Visiting Professorships at the University of Trier and Johannes-Gutenberg-Universität Mainz.


Teaching interests
My teaching and supervisory interests focus on early modern English and comparative literature, drama and performance culture.
OU courses to which I have contributed include A815, A334, A233 and AA305. I co-authored the teaching text book Picturing Performance: The Iconography of the Performing Arts in Concept and Practice (1999), contributed a chapter to The Handbook to Literary Research (Delia Da Sousa Correa and W R Owens, eds, 2010). GOTH plans all its events to be inclusive of postgraduates and hosts a monthly online meeting run by and for our doctoral students. I welcome enquiries on postgraduate study in my specialist research areas (m.a.katritzky@open.ac.uk).
Publications
Book
Transnational Connections in Early Modern Theatre (2019)
European Theatre Performance Practice, 1580–1750 (2014)
Critical Essays on European Theatre Performance Practice: 4-Volume Set (2014)
Women, medicine and theatre 1500-1750: literary mountebanks and performing quacks (2007)
Picturing Performance: The Iconography of the Performing Arts in Concept and Practice (1999)
Book Chapter
Shackshoone: the disabled non-European performative body in 17th-century London (2023)
‘Aktorzy angielscy w Rzeczypospolitej w 1. połowie XVII w.’ (2023)
“The English Comedy in Early Modern Europe: Migration, Emigration, Integration” (2023)
Don Quixote in 18th Century British Book Culture: Tobias Smollett and Francis Hayman (2023)
Margaret Cavendish’s Female Fairground Performers (2020)
The itinerant healer as a stage role: its origins in religious drama (2020)
Shakespeare’s picture of ‘We Three’ An image for illiterates? (2020)
London and The Hague, 1638: Performing quacks at court (2020)
German-Speaking Countries (2018)
Die Ikonografie der Commedia dell'arte bis 1750 (2016)
Shakespearean players in early modern Europe (2016)
Images of the commedia dell'arte (2014)
Literary anthropologies and Pedro González, the “Wild Man” of Tenerife (2014)
Shakespeare’s “portrait of a blinking idiot”: transnational reflections (2014)
Travelers’ tales: magic and superstition on early modern European and London stages (2013)
Images of “monsters” and performers: J A Comenius's Orbis pictus and Aristotle's Masterpiece (2011)
Checklist of libraries, print, online and other research resources (2010)
I costumi della commedia dell–arte Italiana negli alba amicorum tedeschi (2010)
English troupes in early modern Germany: the women (2008)
Reading the actress in commedia imagery (2008)
Text and performance: medieval religious stage quacks and the commedia dell'arte (2007)
Reading the actress in commedia imagery (2005)
The mountebank: a case study in early modern theater iconography (2003)
Theatre iconography in costume series: the "New York" friendship album (2002)
Aby Warburg and the Florentine intermedi of 1589: extending the boundaries of art history (2001)
Carnival and comedy in Georg Straub of St Gallen's printed album amicorum of 1600 (2000)
Mountebanks, mummers and masqueraders in Thomas Platter's diary (1595-1600) (1999)
Selected iconographic research resources (1999)
Performing-arts iconography: tradition, techniques, and trends (1999)
Orlando di Lasso and the commedia dell'arte (1996)
The Recueil Fossard 1928-88: a review and three reconstructions (1989)
Journal Article
The Merchant Scene of Biblical Drama: Rehabilitating the Female Input (2024)
Unreliable Memories: documenting the Scenography of the 1589 Florentine intermedi (2021)
Commedia dell’arte related glass: early modern Venice (2018)
Zan Bragetta a Jean Potage: Divadelní kočovníci v raně novověké Evropě (2010)
Book review: From Physick to Pharmacology: Five Hundred Years of British Drug Retailing (2009)
Secrets of women: Gender, generation and the origins of human dissection (2008)
Improvisation in the arts of the middle ages and renaissance (2006)
The commedia dell'arte: a theatre-iconographical perspective (2005)
What did medieval stages look like? (2003)
'Unser sind drey': the quacks of Beer, Printz and Weise (2002)
Gendering tooth-drawers on the stage (2001)
Marketing medicine: the image of the early modern mountebank (2001)
Comic stage routines in Guarinonius's medical treatise of 1610 (2000)
Hippolytus Guarinonius's descriptions of commedia dell'arte lazzi in Padua, 1594-97 (1999)
The Commedia dell'arte: An introduction (1998)
Harlequin in renaissance pictures (1997)
A German description of the Florentine intermedi of 1565 (1997)
The Florentine entrata of Joanna of Austria and other entrate described in a German diary (1996)
Eight portraits of Gelosi actors in 1589? (1996)
How did the Commedia dell'arte cross the Alps to Bavaria? (1991)
Commedia dell'arte och kvinnornas debut pa teaterscenen (1988)
Lodewyk Toeput: Some pictures related to the commedia dell'arte (1987)
Other
Special Issue of Theatre Research International: The Commedia dell'Arte (1998)
A court festival set in the garden of an Italian villa (1998)
Presentation / Conference
“A plague o’ these pickle herring”: from London drinkers to European stage clown (2014)