
Dr Mark Fryers
Lecturer In Film & Media
Biography
Professional biography
Dr Mark Fryers joined the Open University in Film and Media in December 2022.
He received his PhD from the University of East Anglia in 2016, which, like his Masters degree, was fully funded by the Arts and Humanities Research Council. He also obtained an Associate Fellowship of the Higher Education Academy. Since then, he has lectured at the University of East Anglia, New York University, London and the University of Greenwich while building a research portfolio of peer-reviewed publications in screen media, including in the Journal of Popular Television and numerous edited collections.
Mark has also worked in several capacities as a freelance worker within the film, television and creative industries.
Research interests
Mark’s particular focus concerns depictions of the maritime sphere within media representations and its implications upon identity formation in its many forms. The history, counter-history, construction and dissemination of all aspects of marine culture is a central concern of his research, relating as it does to our most vital and endangered natural environment. This has built from specialisms and empirical research in British fictional film and television to embrace global screen cultures, documentary, independent filmmaking and, particularly, animation.
A current research interest building from this is the politicisation of landscape and mythology as they relate to the maritime sphere, particularly as they also relate to Britain’s historic and ongoing continental relationships.
Mark also has a concomitant research interest in the fields of horror and the gothic as it exists in all forms of culture and literature, but especially within the audio-visual forms of film, television and video games. His research and publications in this field focus on landscape and environment as counter-history within these forms as well as the specific cultural use of form and aesthetics.
Following on from both of these research strands and specialisms, Mark also holds an interest in both marine/environmental representations and gothic horror within children’s culture, reflected in several publications and ongoing research. This traditionally neglected and misunderstood yet vital audience demographic is still one which demands more scholarly focus.
Teaching interests
Mark’s teaching specialisms have been within British and American popular film and television but he has taught widely across global screen cultures and disciplines of Film, TV, Media and Communications and Cultural History including convergent screen medias.
Impact and engagement
Mark worked on the AHRC impact case-study ‘Amateur Women Filmmakers in Britain’ and regularly writes and gives public presentations on topics related to screen history and theory for local, national and international productions including the Cinema and Social Justice project. His research was recently cited in The Washington Post. He hosted the Cultures of Contemporary Writing event 'Commissioning Screen Drama for Global Audiences' with SKY TV's Paul Gilbert (Commissioning Editor for SKY Drama) in 2023.
External collaborations
Mark has worked alongside the East Anglian Film Archive (EAFA), both in teaching collaboration at the University of East Anglia and on the research project ‘Amateur Women Filmmakers in Britain’.
International links
Mark is currently working on several projects in collaboration with Dr Marcus Harmes from the University of Southern Queensland. His work has been translated into Chinese for the Chinese Journal of Contemporary Cinema.
Publications
Book
Book Chapter
Harold’s Going Stiff: Aging and Mental Health in Zombie Narratives (2025)
Ghosts (Nick Broomfield - 2006) The Sea as Death (2024)
Children’s maritime television in Britain: Environment, representation and identity (2022)
‘It’s not ghosts, it’s history’: The Sonic Tradition of British Horror Television (2021)
Thalassophobia: Jaws (1975) and the Nautical Spaces of Horror (2020)
Songs of the sea: sea beasts and maritime folklore in global animation (2018)
Journal Article
The haunted seas of british television: nation, environment and horror (2021)
'Cash and catamarans': 1980s British society through Howards’ Way (2019)