
Prf Richard Danson Brown
Professor Of English Literature
Biography
Professional biography
I was educated at Gosforth High School, the University of Oxford, the University of Durham, and the University of York before joining the OU in 1998. At the OU, I've done a wide range of roles, including Dean and Head of School.
Research interests
My main interest is poetry, particularly from the Renaissance period, with also some focus on twentieth-century writing. I've published three major works on Edmund Spenser: The New Poet: Novelty and Tradition in Spenser's Complaints (Liverpool University Press, 1999), A Concordance to the Rhymes of The Faerie Queene (with J. B. Lethbridge; Manchester University Press, 2013), and The art of The Faerie Queene (Manchester University Press, 2019). I'm currently working on an edition of the Complaints (with Elisabeth Chaghafi, University of Tuebingen), and a monograph on Spenser's poetry in relation to his life and times. I have also worked on the poetry and drama of Louis MacNeice, including a short monograph which situates his work in terms of his contemporaries. I welcome applications from research students interested in any aspect of sixteenth-century poetry, and on modern poetry.
Teaching interests
At the OU, I have taught on English and interdisciplinary modules, as well as making contributions to English Language modules. I was as Chair of AA100, The Arts Past and Present, an innovative module which reconceptualised the teaching of arts subjects for entry level students. As a consequence of the success of AA100, in 2010 I received an OU teaching award in recognition of my outstanding commitment to the teaching of the Arts and Humanities. I’ve made significant contributions to A230, Reading and Studying Literature; AA306, Shakespeare; text and performance; A300, Twentieth-Century Literature; Texts and Debates; and AA305, The Renaissance in Europe: A Cultural Enquiry. More recently, I have written two units (one on As You Like It, one on The Faerie Queene) for A334, English Literature from Shakespeare to Austen. Recent work on modules in production includes units on reading poetry for A111, Discovering the Arts, the successor module to AA100. For A233, Telling Stories: The Novel and Beyond, I have written materials on the medieval poem, Sir Gawain and the Green Knight; this blog post gives a sense of the challenges and delights of working on this extraordinarily rich text: http://www.open.ac.uk/blogs/english/what-i-love-about-this-job-or-learning-the-merits-of-language/. I have also written on Twelfth Night and A Midsummer Night's Dream for A112, Turning Points in Culture.
Publications
Book
Bad Poetry? New Perspectives on the Value of Sixteenth-Century Literature (2026)
Edmund Spenser, Complaints (2026)
The art of The Faerie Queene (2019)
Concordance to the Rhymes of the Faerie Queene: with two studies of Spenser's Rhymes (2013)
Book Chapter
Edmund Spenser: The Faerie Queene (2027)
Fie Upon “But Yet”: Stanza Lead Words and Adversative Conjunctions in The Faerie Queene (2025)
Scorned little creatures?: insects and genre in Complaints (1591) (2024)
Literature and Form in the Renaissance (2022)
Caring to turn back: overhearing Spenser in Donne (2019)
Wise wights in privy places: rhyme and stanza form in Spenser and Chaucer (2019)
Everyman’s progresses: Louis MacNeice’s dialogues with Bunyan (2007)
His lights are not ours: W. B. Yeats and the wartime poems of Louis MacNeice (2005)
Digital Artefact
‘Such ungodly terms’: style, taste, verse satire and epigram in The Dutch Courtesan (2013)
Journal Article
Anger, Complaint, and Poetic Form in the Tristram Episode and The Faerie Queene, Book 6 (2025)
Giving ear to the cries: Chasing Spenserian Voices in The Shepheardes Calender (2025)
Spenser with Bruegel: Authority and Punishment in The Faerie Queene, Book V (2024)
[Book Review] Lucy Wooding, Tudor England: A History New Haven: Yale University Press, 2022 (2024)
Bad Spenser? A Dialogue (2024)
"Bad Intro": Letter from the Editors (2024)
“Looke backe, who list”: Reassessing the 1611 Folio Text of Complaints (2023)
Why at all Complain? "Bad" Poetry and Denatured Form in Spenser's Daphnaida (2020)
Editorial Introduction: Creative Responses to Spenser; Spenserian Poetry (2019)
[Book Review] Catherine Bates, ed., A Companion to Renaissance Poetry (2018)
Trevor Joyce, Fastness: a Translation from the English of Edmund Spenser (2018)
“And dearest loue”: Virgilian half-lines in Spenser’s Faerie Queene (2018)
Call you ’em stanzos? Stanza form and reading poetry (2013)
Review of Richard A. McCabe, ed. The Oxford Handbook of Edmund Spenser (2012)
Reading iambic pentameter (2011)
“Modern Bondage” or reading for rhyme (2010)
Book review: Andrew Zurcher, Spenser's Legal Language: Law and Poetry in Early Modern England (2009)
W.S. Graham: I Leave This At Your Ear (2008)
Book review: Louis MacNeice, ‘Collected Poems’, Peter McDonald (ed) (2008)
Book review: John Stubbs, 'Donne: The Reformed Soul' (2008)
Neutrality and Commitment: MacNeice, Yeats, Ireland and the Second World War (2005)
'Your thoughts make shape like snow': Louis MacNeice on Stephen Spender (2002)
Other
The Spenser Review, Vol 54, Issue 1. Special Issue: Spenser and Bad Poetry (2024)