
Dr Shafquat Towheed
Director Of Research, School Of Arts And Humanities
Biography
Professional biography
I was born in Dhaka, Bangladesh and grew up in Bangladesh, the United Arab Emirates, and England. I received my first two degrees from University College London (BA English, 1995; MA English, 1996), and my PhD, which examined the relationship between copyright law and literature in England between 1880 and 1914, from Cambridge University (2000). Before joining The Open University, I taught at Nottingham University and the Institute of English Studies (University of London). I was appointed to a Lectureship in Book History in 2007, and I am currently Director of Research for the School of Arts and Humanities, as well as Impact Lead for English & Creative Writing.
Research interests
The main thrust of my research is in nineteenth and twentieth century British and American literature, with a particular interest in the history of the book. Within this broad and inclusive subject, I have three specific areas of interest: (1) the history of reading; (2) the relationship between authors and publishers; and (3) the relationship between copyright law and literature. In addition, I also work on South Asian writing in English.
I am Director of one of the Open University’s most inclusive research projects, ‘The Reading Experience Database, 1450-1945’ (RED). A recipient of two rounds of Arts and Humanities Research Council funding, RED records experiences of reading in the British Isles (or by British subjects abroad) over five centuries. The database is constantly growing, and there are currently over 30,000 entries. Partner projects have been established in Australia, Canada, the Netherlands and New Zealand. Follow this link for more details of RED, and how you could contribute to it.I am Director of the Open University’s Book History Research Group, one of the main research groups in the English Department. You can find more about the Book History Research Group’s activities by following this link. The group’s seminar series meets regularly at the Institute of English Studies.
Publications
I have written, edited, and co-edited 8 books, and my articles have appeared in leading scholarly journals, such as Victorian Studies, Book History, Publishing History, Nineteenth-Century Contexts, Nineteenth-Century Literature, Journal of Victorian Culture, English Literature in Transition, 1880-1920, Primerjalna Književnost (Comparative Literature) and The Yearbook of English Studies. I regularly review for a number of peer-reviewed journals. Follow this link for a list of my publications.
Supervision
I have supervised four PhD students to completion, and am currently supervising three more: Isabelle Parsons, who is working on women and silence in the works of Edith Wharton; Sally Anne Spong, who is working on the reading of T.E. Lawrence; and Sophie Montebello, who is working on the literary representation and self-representation of the Anglo-Indian community. I have served as an external PhD examiner at the University of St Andrews and at the National University of Ireland, Galway, and have been an internal PhD examiner for 3 PhD theses at the Open University.
I am willing to supervise PhD students wishing to work on any aspect of the history of reading; in book history in Britain, America or South Asia after 1800; on Edith Wharton, Vernon Lee, Robert Louis Stevenson or Joseph Conrad; or more generally on 19th and early 20th century literature and culture.
Teaching interests
Most of my teaching has been in 19th and 20th century British, American and South Asian literature, with a particular interest in the history of the book and the history of reading. Currently am a member of the module team in production for our new Level 2 module A233 (first presentation October 2019). I was chair in production (2012-2015) and am the current deputy chair in presentation for our new Level 3 module, A334 English Literature from Shakespeare to Austen (first presentation October 2015), and I have previously chaired another Level 3 module in presentation - AA316, The Nineteenth-Century Novel (2009-2013). You can find out more about A334 English Literature from Shakespeare to Austen and watch a promotional video by following this link.
I have written teaching material for a number of other modules, including A815, The MA in English, Part 1 and A230 Reading and Studying Literature. Outside of the Open University, I also teach the ‘The Historical Reader’ seminar series, part of the MA in the History of the Book, and the newly launched ‘The History of Readers and Reading, 1770-2010’ option for the London Rare Book School. Follow this link for further information.
Impact and engagement
I have given a number of public lectures and interviews in different media. These include:
A talk about the RED project on YouTube
A public lecture on the history of reading at Acadia University, Canada, 22 October 2010
A public lecture on Vernon Lee’s reading at the British Institute of Florence, Italy, 6 March 2012
Interviewed for ‘The Secret Lives of Readers’, Chronicle of Higher Education, 17 December 2012
A public lecture on RED and the history of reading at Haverford College, Philadelphia, USA, 15 April 2014
A public lecture on British readers in Italy at the British Institute of Florence, Italy, 14 May 2014
External collaborations
I am currently Vice President of the Society for the History of Authorship, Reading and Publishing (SHARP), the world's foremost scholarly society in book history; I previously served as a jury member and chair for the DeLong Book History Prize (2006-2009). I have been a working group member on a number of pan-European projects, including the COST-Action funded ‘Women Writers in History’ project (2009-2013) and led Working Group 5 for the French National Research Council network, 'Reading in Europe: Contemporary Issues in Historical and Comparative Perspectives' (2015-2017). I am a founder member of the International Vernon Lee Society. I have been an Advisory Board member for numerous externally funded projects, including Memories of Fiction: An Oral History of Readers’ Life Stories (AHRC, 2014-2017), the Bibliography of Scottish Literature in Translation (Royal Society of Edinburgh, 2020-23) and Remaking Britain: South Asian connections and networks, 1830 to the present (AHRC, 2022-25). I am founding co-editor (2014 to date) of Palgrave's New Directions in Book History series which has published over 50 titles and generated more than 200,000 cumulative downloads, accesses and hard copy sales.
Projects
Reading the Middle East: examining the reading culture of Freya Stark, 1919-1945
Reading the Middle East: examining the reading culture of Freya Stark, 1919-1945 ‘Reading the Middle East’ is the first detailed examination of the reading culture of Dame Freya Madeline Stark (1893-1993). Stark was only the second woman (after Gertrude Bell) to receive the Founder’s Medal of the Royal Geographical Society (1942) for her Middle East explorations. An explorer, Orientalist scholar and diplomat, Stark was a prodigious reader and a highly knowledgeable informant about the reading cultures (print, manuscript and oral) she encountered. Stark's reading directly informed her political actions as a diplomat and civil servant. Despite considerable biographical interest and publications in area studies, geography, travel writing and international relations, there has to date been no systematic examination of Stark’s reading that shaped her thinking and resulted in political action (e.g. British Arabic language propaganda during WW2). Using archival sources, in this project I closely examine Stark's reading (1919-1945), asking what, where, how and why she read, and also illuminate her detailed observations about the reading practices of communities and individuals across the Middle East. As part of the research, I will be examining the extensive Freya Stark archive at the Harry Ransom Center (Austin, Texas), as well as the Stark bequest at the Middle East Centre Archive (St Anthony’s College, Oxford). ‘Reading the Middle East’ will aim to answer the following key questions by drawing upon information recoverable from recorded textual evidence and visual (photographic) material. 1. To what extent did Stark's reading in this period lead directly to action, whether political, diplomatic, creative, or journalistic? 2. Based on the evidence from unpublished and published sources, what did Stark read between 1919 and 1945? 3. How, where and when did Stark’s reading in this period take place? What where the contingencies and habitual practices that emerge from investigating the evidence? 4. What observations did Stark record about the extant reading cultures, practices and preferences she encountered while travelling in the Middle East from 1927 to 1945? How did she engage with (for example) the oral culture of Arabic praise poetry composition, or with storytelling? 5. What is the relationship (if any) between sites of reading and sites of literary composition in Stark’s travel writing?
Reading Europe Advanced Data Investigation Tool
READ-IT (Reading Europe Advanced Data Investigation Tool) is a 3-years (2018-2020) transnational, interdisciplinary R&D project funded by the Joint Programming Initiative for Cultural Heritage that will build a unique large-scale, user-friendly, open access, semantically-enriched investigation tool to identify and share groundbreaking evidence about 18th-21st century Cultural Heritage of reading in Europe. The interdisciplinary collaboration between digital humanists, human & social sciences scholars and computer researchers will investigate innovative ways of gathering new resources through crowdsourcing and web-crawling as well as linking and reusing preexisting datasets. Extracting descriptors from a sample of multilingual textual sources will contribute to a robust ontology as well as to multiple thesauri of invariants accounting for the lowest common denominator of European reading experiences across times and cultures. READ-IT will thus ensure the sustainable and reusable aggregation of qualitative data allowing an in-depth analysis of the Cultural Heritage of reading. The corpus encompassed is a rich ‘human archive’ in multiple media and languages depicting a transaction between reading subjects and reading material. Yet it is currently scattered and insufficiently labeled, thus untraceable. Without gathering, describing and structuring, it will remain unknown. READ-IT consists in a robust consortium of 5 academic partners from 4 European countries (Institute of Czech Literature, Academy of Sciences, Prague; Open U. London, UK including the SME IN2; Utrecht University, Netherlands; CNRS-IRISA, Rennes and Le Mans U.-3LAM, France). The consortium is led by U. of Le Mans and the participants have international level of expertise in the different strands of research. Established stakeholders in education, cultural industries, cultural institutions, and disability advocacy groups will participate in evaluation and contribute to dissemination through joint events. 4 Associate partners from U. Mainz, U. Milano, Queen Mary U. London, U.Tours will contribute specific expertise and data
Being Human Festival: Off the Grid: Lost and Found in MK
This a public engagement and impact activity and a retrospective AMS submission. As part of the national Being Human Festival, The OU, MK Gallery and MK Theatre come together for a day of family activities on the theme of Lost and Found in Milton Keynes on Saturday 18 November at MK Gallery and another date tbc for a lunchtime concert by OU Choir at Walton Hall. This national, public outreach festival is centrally organised by the School of Advanced Study (SAS) and includes over 250 events by universities across the country. SAS have AHRC funding - Shaf has secured £600 towards the costs on the day. The OU (FASS) have participated in this festival over the past 2 years.
Conference title: 'Tradition and Innovation: The State of Book History', 17th annual SHARP Conference, 23-27 June 2009. Conference paper title: 'Like every book, it requires a reader to correct it': An examination of Vernon Lee's marginalia, c.1880-1935. (A-08-082-ST)
To present a conference paper titled '"Like every book, it requires a reader to correct it": An examination of Vernon Lee’s marginalia, c.1880-1935' at 'Tradition and Innovation: the state of Book History', the 17th annual conference of SHARP (the Society for the History of Authorship, Reading and Publishing), Toronto University, Canada, 23-27 June 2009. See abstract below. Please note that research for this paper was supported by a British Academy Small Research Grant, and that I am the current chair of SHARP's annual DeLong Book Prize for the best work in the history of the book (as such my attendance at the Toronto conference will be essential). Abstract: The author of over 40 books on a range of subjects from aesthetics to music, and from fiction to literary criticism, the Anglo-Florentine novelist and critic Vernon Lee (pseud. Violet Paget, 1856-1935) was responsible for introducing the term empathy into English literary usage and was widely considered to be one of the leading public intellectuals of her era. But Lee was not just a remarkably prodigious writer; she was also an exceptionally voracious reader, and for much of her life, she kept a meticulous record of her own reading. She read in four European languages (English, French, German and Italian) and in an impressively wide range of disciplines: literature, philosophy, aesthetics, art history, history, economics, evolutionary science, religion, politics, music and anthropology. As well as keeping commonplace books recording considered responses to her reading (often as the first step towards a published response), Lee was also an extraordinary annotator of her books. Of the c.430 books in her library that survive (housed in the British Institute in Florence), over 300 are marked, many with detailed and highly involved marginal glosses that constitute a considerable investment in the act of reading and/or re-reading. Re-reading George Bernard Shaw’s The Intelligent Woman’s Guide to Socialism (1928) in January 1932, a ‘fine book…full of wisdom and humanity’, Lee felt obliged to declare that ‘like every book, it requires a reader to correct it’. This paper will explore the extent to which Lee’s marginalia in her books did just that, and to use H.J. Jackson’s term, will examine how marginalia ‘reveals the codes’ of a particular reader’s reading practice. Drawing upon this extraordinary archival resource and the data from it entered into the Reading Experience Database, this paper will offer an overview of the marginalia in Lee’s books, examine some of the evidences of reading that they contain, map the range of her reading in the period, and draw together some tentative conclusions from the collated data. In doing so, I want to draw our attention to the multiple functions that marginalia performs: translation, abbreviation, assent, dissent, cultural assimilation, the demarcation between public and private spheres, the evidence of shared reading, and the structuring of a response both during and after the act of reading.
Reading Communities: Connecting the Past and Present
‘Reading Communities: Connecting the Past and Present’ addresses the AHRC 10th-Anniversary Follow-On Scheme Highlight Notice, which invites proposals that will ‘enhance engagement with, and impact from, research funded by the AHRC during the first two years after its establishment in 2005’. This project is intended as a follow on from the ‘Reading Experience Database 1800–1945’ (2006–2009), which was funded by a £292,108 Resource Enhancement grant awarded by the AHRC in 2006. This one-year project builds on the success of the Reading Experience Database (RED) to create a series of city-focused reading outreach events. These will include lectures, oral history interviews and community workshops focused on crowdsourcing from participants' diaries or other documents. Activities will take place in Belfast, Liverpool, Edinburgh, Birmingham and London.
Publications
Book
Reading and the First World War: Readers, Texts, Archives (2015)
Romantics and Victorians (2011)
The History of Reading, Volume 1: International Perspectives, c.1500-1990 (2011)
The History of Reading, Volume 3: Methods, Strategies, Tactics (2011)
The Correspondence of Edith Wharton and Macmillan, 1901-1930 (2007)
New Readings in the Literature of British India, c.1780-1947 (2007)
Publishing in the First World War: Essays in Book History (2007)
Book Chapter
Evaluating Negative Representations of Reading: Ivan Turgenev’s Faust (1855) (2025)
An Examination of Bookshelves in the Age of the COVID-19 Pandemic as a “Liminal Space” (2022)
Publishing the South and South East Asian Novel in the Global Market (2019)
Reading the Great War: An Examination of Edith Wharton’s Reading and Responses, 1914–1918 (2015)
A Captive Audience? The Reading Lives of Australian Prisoners of War, 1914–1918 (2015)
The science of musical memory: Vernon Lee and the remembrance of sounds past (2013)
Robert Louis Stevenson, 'The Beach of Falesá' (2011)
Arthur Conan Doyle, The Sign of Four (2011)
The mediation of response: a critical approach to individual and group reading practices (2011)
Negotiating the list: launching Macmillan's Colonial Library and author contracts (2011)
'Wuthering Heights abroad' (2011)
'Wuthering Heights at home' (2011)
Tools and techniques for literary research: Using online and printed sources (2009)
Containing the Decadent Text: Decadent Readers, Reading Decadence (2006)
Journal Article
[Book Review] Alaistair Fowler, The Mind of the Book: Pictorial Title Pages (2018)
Readers and Reading in the First World War (2015)
South Asian writing between the wars: publishers, reviewers, readers (2012)
‘Music is not merely for musicians’: Vernon Lee's musical reading and response (2010)
Reading in the digital archive (2010)
Rudyard Kipling's Literary Property, International Copyright Law and The Naulahka (2005)
Determining 'Fluctuating Opinions': Vernon Lee, Popular Fiction, and Theories of Reading (2005)
“An appreciative and grateful author”: Edith Wharton and the House of Macmillan (2005)
Presentation / Conference
Reading Transmedia: Re-contextualising the Written Word in Popular Web-native Genres (2022)