
Prof Trevor Herbert
Emeritus Professor of Music
Biography
Professional biography
Trevor Herbert was born in Cwmparc, south Wales. He was educated at the Tonypandy Grammar School, and then read music education at St Luke’s College, University of Exeter . He then spent three years at the Royal College of Music as a foundation scholar, where he studied trombone with Arthur Wilson and composition with Jeremy Dale Roberts. He took a BA degree in humanities at the Open University, and a Ph.D. for a thesis on ‘The Trombone in England before 1800’. He was awarded the Doctor of Letters (DLitt) of the Open University in 2009. In 2000 he was made a Fellow of the Royal; College of Music and the Leeds College of Music. He was elected a Fellow of the Learned Society of Wales in 2015 and appointed Porfessor of Music Research at the Royal College of Music in 2017.
Between 1969 and 1976 he played trombone with many leading London orchestras and chamber groups, most particularly the BBC Symphony Orchestra, Royal Philharmonic Orchestra, Glyndebourne Opera, Welsh National Opera, the Northern Sinfonia, the Taverner Players, Musica Reservata and the Wallace Collection. He has performed on several major recordings and broadcasts and in concerts throughout the world.
In 1976 he joined the staff of the Open University. He continued to perform, and developed research interests in two different areas: the history, repertoires and performance cultures of brass instruments, and the place of music in the cultural history of Wales. He has contributed prolifically to New Grove II, The Oxford Dictionary of National Biography and The Encyclopedia of Popular Music of the World. Among his books are The Cambridge Companion to Brass Instruments (edited with John Wallace) and The British Brass Band: A Musical and Social History. His book Music in Words: A Guide to Researching and Writing about Music is a widely used reference text. His book The Trombone, the first comprehensive cultural and musical history of the instrument, was published by Yale University Press in January 2006. In 2002 he became the first British recipient of the Historic Brass Society’s Christopher Monk Award. In 2014 The Galpin Society awarded him its Anthony Baines Prize for 'outstanding contributions to organology'.
He is joint editor of the Bucina series of Pendragon Press, a member of the editorial board of the Historic Brass Society, was associate editor (music) of the Welsh Academy Encyclopaedia of Wales.(2008), and joint editor of the Cambridge Encyclopedia of Brass Instruments (2019). He is currently lead editor of The Cambridge History of Welsh Music.
He has a specialist interest in validation systems in higher education and has played a leading part in the devlopment of the Open University's partnerships in the UK,continental Europe, the Middle East, South Africa, and Asia. Between 2018 and 2021 he was a non-executive director of Christies Ediucation: the postgraduate institute attached to the Christies auction house.
Research interests
Among several major projects funded by the UK’s Arts and Humanities Research Council (AHRC) and the British Academy are ‘Military Sponsorship of Music in Britain in the Nineteenth Century and its Relationship with the Musical Mainstream’. A project that created a greater and more accurate understanding of military music in the period, and to explained its relationship to wider orbits of art and popular music.Further information is available from the project’s website. And, the AHRC-funded project, ‘Cultures of performance among British brass players 1750-1965’, which traced the elements that contribute to a distinctive style of British brass playing. It looked at the relationships between amateur playing and different types of professional music including jazz, orchestral music and military bands. Further information is available from the ‘Cultures of Brass’ website.
Main Publishers
Oxford University Press
Cambridge University Press
University of Wales Press
ABRSM Publishing
Yale University Press
Routledge
Teaching interests
In addition to his academic and performance interests in music he has a keen interest in validation and higher educational systems. His work at the Open University has concentrated on teaching and assessment systems in music – particularly for adult learners – and the development of online postgraduate music teaching.
External collaborations
He has also developed an interest in the assessment of musical performance through his work as external examiner to several major UK conservatoires including the Royal College of Music, the Guildhall School of Music and Drama, and Trinity Laban.
He has undertaken work for UK government agencies such as the Higher Education Funding Council for England and the Quality Assurance Agency, as well as for bodies such as Open University Validation Services, the Associated Board of the Royal Schools of Music and the Royal Marines School of Music. He is also an adviser to several grant-awarding bodies including the Leverhulme Trust and the AHRC.
Trevor Herbert is an Honorary Professor of Music at Cardiff University, a Fellow of the Leeds College of Music , Fellow of the Royal College of Music and Fellow of the Learned Society of Wales..
Publications
Book
A History of Welsh Music (2022)
The Cambridge Encyclopedia of Brass Instruments (2018)
Music and the British Military in the Long Nineteenth Century (2013)
Music in Words: A Guide to Researching and Writing about music (2012)
Music in words: a guide to researching and writing about music (2nd edition) (2012)
The Cultural Study of Music: a Critical Introduction (2nd ed.) (2011)
Music in Words: A Guide to Researching and Writing about Music (2009)
The Cultural study of music: A critical introduction (2003)
Hymns and Arias: Great Welsh Voices (2001)
The British Brass Band: a Musical and Social History (2000)
The Cambridge Companion to Brass Instruments (1997)
Bands: the Brass Band Movement in the 19th and 20th Centuries (1991)
Book Chapter
Military Musical Instruments and the Culture of Perfection in the Long 19th Century (2023)
Singing Welshness: Sport, Music and the Crowd (2022)
Nonconformists and Their Music (2022)
Foreword: amateur bands, their localities, and their challenges – the lessons of history (2018)
The British military as a musical institution, c.1780-c.1860 (2012)
Social history and music history (2011)
Music, culture and creativity (2011)
Trombone idiom in the twentieth century: classical, jazz, and hybrid influences (2009)
Susato's colleagues: the trombonists of the Tudor court (2005)
Music, culture and creativity (2003)
Comparing music, comparing musicology (2003)
Music, experience and the anthropology of emotion (2003)
Trombones and the English court, c. 1480-c.1680 (2000)
Popular nationalism: Griffith Rhys Jones (‘Caradog’) and the Welsh choral tradition (2000)
God's perfect minstrels: the bands of the Salvation Army (2000)
Nineteenth-century bands: making a movement (2000)
Military music articles in the Farmer Collection (1999)
The practice and context of a private Victorian brass band (1999)
Victorian brass bands: class, taste and space (1998)
Reconstruction of nineteenth-century band repertory: towards a protocol (1997)
Playing, learning and teaching brass (1997)
Brass bands and other vernacular brass traditions (1997)
‘Sackbut’: the early trombone (1997)
A softening influence: R. T. Crawshay and the Cyfarthfa Band (1992)
Dataset
Digital Artefact
Journal Article
Introduction - Listeners in music history: studying the evidence (2020)
Introduction Listeners in Music History: Studying the Evidence (2020)
Solo and ensemble brass instrument recordings (2019)
Cornetti e tromboni in the high Renaissance and Baroque (2018)
Trumpets, drums and the sources for their symbolic authority in Britain (2016)
A Tudor manuscript granting livery to the King’s ‘Shakbots’ (2016)
Adolphe Sax, his saxhorns and their international influence (2016)
Sousa, the band and the 'American century' (2010)
Reviews - Sigmund Romberg, William A. Everett; Jerome Kern, Stephen Banfield (2008)
Victorian bands and their dissemination in the colonies (1997)
Late Victorian Welsh bands: taste, viruosity and Cymmrodorion attitudes (1996)
The sackbut and pre-Reformation English church music (1993)
Victorian brass bands: the establishment of a ‘working class musical tradition’ (1992)
A lament for Sam Hughes: the last Ophicleidist (1991)
The sackbut in England in the 17th and 18th centuries (1990)
The repertory of a Victorian provincial brass band (1990)
Other
The History of Brass Band Music: Classical Arrangements (2007)
Virtuosi: Ian Bousfield (1997)
The Victorian Christmas (1996)
The Origin of the Species: The Cyfarthfa Repertory on Period Instruments (1996)
The trombone in 19th-century Italian opera (1989)
Divertimento in D: (Trumpet and Piano) by Josef Fiala (1988)
Presentation / Conference
Thesis
Brass instruments : repertoires, practices and cultures (2008)