OU Profiles homepage Edit my profile User guide Accessibility Statement
Picture  of Trevor Herbert

Prof Trevor Herbert

Emeritus Professor of Music

Music

trevor.herbert@open.ac.uk

Biography

Professional biography

Trevor Herbert was born in Cwmparc, south Wales. He was educated at the Tonypandy Grammar School, and then read music  education at St Luke’s College, University of Exeter . He then spent three years at the Royal College of Music as a foundation scholar, where he studied trombone with Arthur Wilson and composition with Jeremy Dale Roberts. He  took a BA degree in humanities at the Open University, and a Ph.D. for a thesis on ‘The Trombone in England before 1800’. He was awarded the Doctor of Letters (DLitt) of the Open University in 2009. In 2000 he was made a Fellow of the Royal; College of Music and the Leeds College of Music. He was elected a Fellow of the Learned Society of Wales in 2015 and appointed  Porfessor of Music Research at the Royal College of Music in 2017.

Between 1969 and 1976 he played trombone with many leading London orchestras and chamber groups, most particularly the BBC Symphony Orchestra, Royal Philharmonic Orchestra, Glyndebourne Opera, Welsh National Opera, the Northern Sinfonia, the Taverner Players, Musica Reservata and the Wallace Collection. He has performed on several major recordings and broadcasts and  in concerts throughout the world.

In 1976 he joined the staff of the Open University. He continued to perform, and developed research interests in two different areas: the history, repertoires and performance cultures of brass instruments, and the place of music in the cultural history of Wales. He has contributed prolifically to New Grove II, The Oxford Dictionary of National Biography and The Encyclopedia of Popular Music of the World. Among his books are The Cambridge Companion to Brass Instruments (edited with John Wallace) and The British Brass Band: A Musical and Social History. His book Music in Words: A Guide to Researching and Writing about Music is a widely used reference text. His book The Trombone, the first comprehensive cultural and musical history of the instrument, was published by Yale University Press in January 2006. In 2002 he became the first British recipient of the Historic Brass Society’s Christopher Monk Award. In 2014 The Galpin Society awarded him its Anthony Baines Prize for 'outstanding contributions to organology'.

He is joint editor of the Bucina series of Pendragon Press, a member of the editorial board of the Historic Brass Society, was associate editor (music) of the Welsh Academy Encyclopaedia of Wales.(2008), and joint editor of the Cambridge Encyclopedia of Brass Instruments (2019). He is currently lead editor of The Cambridge History of Welsh Music.

He has a specialist interest in validation systems in higher education and has played a leading part in the devlopment of the Open University's partnerships in the UK,continental Europe, the Middle East, South Africa, and Asia. Between 2018 and 2021 he was a non-executive director of Christies Ediucation: the postgraduate institute attached to the Christies auction house.

Research interests

Among several major projects funded by the UK’s Arts and Humanities Research Council (AHRC) and the British Academy are ‘Military Sponsorship of Music in Britain in the Nineteenth Century and its Relationship with the Musical Mainstream’. A project that created a greater and more accurate understanding of military music in the period, and to explained its relationship to wider orbits of art and popular music.Further information is available from the project’s website. And, the AHRC-funded project, ‘Cultures of performance among British brass players 1750-1965’, which traced the elements that contribute to a distinctive style of British brass playing. It looked at the relationships between amateur playing and different types of professional music including jazz, orchestral music and military bands. Further information is available from the ‘Cultures of Brass’ website.

Main Publishers

Oxford University Press
Cambridge University Press
University of Wales Press
ABRSM Publishing
Yale University Press
Routledge 

Teaching interests

In addition to his academic and performance interests in music he has a keen interest in validation and higher educational systems. His work at the Open University has concentrated on teaching and assessment systems in music – particularly for adult learners – and the development of online postgraduate music teaching.

External collaborations

He has also developed an interest in the assessment of musical performance through his work as external examiner to several major UK conservatoires including the Royal College of Music, the Guildhall School of Music and Drama, and Trinity Laban.

He has undertaken work for UK government agencies such as the Higher Education Funding Council for England and the Quality Assurance Agency, as well as for bodies such as Open University Validation Services, the Associated Board of the Royal Schools of Music and the Royal Marines School of Music. He is also an adviser to several grant-awarding bodies including the Leverhulme Trust and the AHRC.

Trevor Herbert is an Honorary Professor of Music at Cardiff University, a Fellow of the Leeds College of Music , Fellow of the Royal College of Music and Fellow of the Learned Society of Wales..

Publications

Book

A History of Welsh Music (2022)

The Cambridge Encyclopedia of Brass Instruments (2018)

Music and the British Military in the Long Nineteenth Century (2013)

Music in Words: A Guide to Researching and Writing about music (2012)

Music in words: a guide to researching and writing about music (2nd edition) (2012)

The Cultural Study of Music: a Critical Introduction (2nd ed.) (2011)

Music in Words: A Guide to Researching and Writing about Music (2009)

The Trombone (2006)

The Cultural study of music: A critical introduction (2003)

Hymns and Arias: Great Welsh Voices (2001)

The British Brass Band: a Musical and Social History (2000)

The Cambridge Companion to Brass Instruments (1997)

Post-War Wales (1995)

Bands: the Brass Band Movement in the 19th and 20th Centuries (1991)

Catalogue of the European Wind and Percussion Instruments in the Cyfarthfa Castle Museum Collection (1990)

Wales Between the Wars (1988)

People and Protest: Wales 1815-1880 (1988)

Wales 1880-1914 (1988)

Tudor Wales (1988)

Edward I and Wales (1988)

The Remaking of Wales in the Eighteenth Century (1988)

Book Chapter

Military Musical Instruments and the Culture of Perfection in the Long 19th Century (2023)

Singing Welshness: Sport, Music and the Crowd (2022)

Nonconformists and Their Music (2022)

The Celtic Revival (2022)

Australasia (2018)

Cornett (2018)

Military music (2018)

Musica Reservata (2018)

Serpent (2018)

Tuba and ophicleide (2018)

Trombone (2018)

Foreword: amateur bands, their localities, and their challenges – the lessons of history (2018)

Carl Florian Mandel and the production, consumption and status of "military" brass-wind instruments in the nineteenth century (2016)

Brass and military bands in Britain - performance domains, the factors that construct them and their influence (2013)

The British military as a musical institution, c.1780-c.1860 (2012)

Social history and music history (2011)

Music, culture and creativity (2011)

Introduction: Brass playing in the early twentieth century: idioms and cultures of performance (2009)

Trombone idiom in the twentieth century: classical, jazz, and hybrid influences (2009)

Susato's colleagues: the trombonists of the Tudor court (2005)

Matthew Locke and the cornett and sackbut ensemble in England after the Restoration: the 'labelled evidence' (2005)

Music, culture and creativity (2003)

Comparing music, comparing musicology (2003)

Music, experience and the anthropology of emotion (2003)

Trombones and the English court, c. 1480-c.1680 (2000)

Popular nationalism: Griffith Rhys Jones (‘Caradog’) and the Welsh choral tradition (2000)

Introduction (2000)

Aspects of performance practices: the brass band and its influence on other brass-playing styles (2000)

God's perfect minstrels: the bands of the Salvation Army (2000)

Nineteenth-century bands: making a movement (2000)

Volunteers, salvationists and committees: consensus versus regulation in amateur Victorian brass bands (1999)

Military music articles in the Farmer Collection (1999)

The practice and context of a private Victorian brass band (1999)

Victorian brass bands: class, taste and space (1998)

Reconstruction of nineteenth-century band repertory: towards a protocol (1997)

Playing, learning and teaching brass (1997)

Brass bands and other vernacular brass traditions (1997)

‘Sackbut’: the early trombone (1997)

A softening influence: R. T. Crawshay and the Cyfarthfa Band (1992)

Dataset

The Robert Minter collection: a handlist of seventeenth and eighteenth century trumpet repertory (2008)

Digital Artefact

Brass instruments (2011)

Journal Article

Public Military Music and the Promotion of Patriotism in the British Provinces, c. 1780-c. 1850 (2020)

Introduction - Listeners in music history: studying the evidence (2020)

Introduction Listeners in Music History: Studying the Evidence (2020)

Solo and ensemble brass instrument recordings (2019)

Cornetti e tromboni in the high Renaissance and Baroque (2018)

Trumpets, drums and the sources for their symbolic authority in Britain (2016)

A Tudor manuscript granting livery to the King’s ‘Shakbots’ (2016)

Adolphe Sax, his saxhorns and their international influence (2016)

Review of 'Music and theology in nineteenth-century Britain' ed. Martin V. Clarke (Ashgate 2012) (2013)

“…men of great perfection in their science…”: the trumpeter as musician and diplomat in England in the later fifteenth and sixteenth centuries (2011)

Music for the multitude: accounts of bands entering Enderby Jackson's Crystal Palace contests in the 1860s (2010)

Sousa, the band and the 'American century' (2010)

Trombone glissando: a case study in continuity and change in brass instrument performance idioms (2010)

Reviews - Sigmund Romberg, William A. Everett; Jerome Kern, Stephen Banfield (2008)

Selling brass instruments: the commercial imaging of brass instruments (1830-1930) and its cultural messages (2004)

Victorian bands and their dissemination in the colonies (1997)

Late Victorian Welsh bands: taste, viruosity and Cymmrodorion attitudes (1996)

The sackbut and pre-Reformation English church music (1993)

Victorian brass bands: the establishment of a ‘working class musical tradition’ (1992)

A lament for Sam Hughes: the last Ophicleidist (1991)

The sackbut in England in the 17th and 18th centuries (1990)

The repertory of a Victorian provincial brass band (1990)

Sondheim's technique (1989)

Instruments of the Cyfarthfa Band (1988)

The virtuosi of Merthyr (1988)

Other

Nineteenth-Century Music Review (17) Special Issue 3: The Experience of Listening to Music in the Nineteenth Century (2020)

The History of Brass Band Music: Classical Arrangements (2007)

Baltic Brass (2001)

Hammered Brass (2000)

Virtuosi: Ian Bousfield (1997)

The Victorian Christmas (1996)

The Origin of the Species: The Cyfarthfa Repertory on Period Instruments (1996)

The trombone in 19th-century Italian opera (1989)

Divertimento in D: (Trumpet and Piano) by Josef Fiala (1988)

Presentation / Conference

Musical Meetups Knowledge Graph (MMKG): a collection of evidence for historical social network analysis (2024)

Thesis

Brass instruments : repertoires, practices and cultures (2008)

The trombone in Britain before 1800. (1984)